Affichage des articles dont le libellé est Gaza genocide. Afficher tous les articles
Affichage des articles dont le libellé est Gaza genocide. Afficher tous les articles

12/02/2026

The self-righteous Empire: “Keep England white!”(Churchill, 1955)

Rafael Poch de Feliu, CTXT, 28/1/2026
Translated by Tlaxcala

After Gaza, the question being asked, from a place of vertigo, by the conscious sector of European public opinion is how to explain the complicity and cooperation of European governments, institutions, and media with the Israeli colonial genocide. The answer lies in history: it is European colonial history that links Western governments to the Israeli massacre.


The entertainment industry is a fundamental tool of Western hegemonism. In close collaboration with the political, military, financial, and media complex, its production penetrates every household daily, performing a key ideological function, perfectly identified and understood. In retrospect, the Hollywood industry managed to turn that universal encyclopedia of infamy—the history of European colonialism, particularly that of the British, direct relatives of today’s hegemon—into exploits, epics, and romantic tales. The list of films glorifying great colonial crimes has yet to be written, but it suffices to cite classics like "Lawrence of Arabia" (1962), "55 Days at Peking" (1963), "Zulu" (1964), or "Khartoum" (1966) to remember how an entire generation grew up lulled and entertained by this exalting genre whose legend they internalized.

It is instructive to compare reading any serious work on the action of the British Empire in India or China with films like "Victoria & Abdul" (2017) by Stephen Frears, or "Tai-Pan" (1986) by Daryl Duke, to measure the level of vileness of such bombardment. Frears presents the warm friendship between Queen Victoria and her Indian servant at a time when Indians were dying of hunger in horrific crises directly related to colonial governance. Duke’s film is inspired by the figure of William Jardine (1784–1843) to construct a romantic, erotic, and heroic fiction around history’s principal drug trafficker, who condemned 150 million Chinese to drug addiction and became one of the richest and most powerful men of his time.


The Empire Marketing Board (EMB) produced more than 800 advertising posters to encourage the British to consume colonial goods, without much success. Created in 1926, it was dissolved in 1930.

Maintained for over two centuries of violence, racism, and exploitation, the British Empire is still presented in the most haughty and arrogant manner as a civilizing and model enterprise, alongside the French, Spanish, Portuguese, etc. empires—declared defective or manifestly failed.

"For some nations, Spain for example, the opening of the world was an invitation to prosperity, pomp, and ambition, an ancient way of proceeding. For others, like Holland and England, it was the occasion to do new things, to ride the wave of technological progress," writes David S. Landes (In: The Wealth and Poverty of Nations, 1998).

This consistency with the more than ambiguous "vector of progress" noted with satisfaction by the illustrious Harvard historian may explain the current and renewed nostalgia for the British Empire, warned of by two authors critical of the phenomenon (Hickel and Sullivan). "High-impact books like Empire: How Britain Made the Modern World by Niall Ferguson and The Last Imperialist by Bruce Gilley have claimed that British colonialism brought prosperity and development to India and other colonies. Two years ago, a YouGov poll revealed that 32% of Britons are proud of the country’s colonial history," they note.

This same pride in the colonial past is, without doubt, shamefully still present in many other old imperial nations, but nowhere, as among the "Englishmen on both sides of the Atlantic" that Benjamin Franklin defined as "the most important nucleus of the white people," does this feeling have more consequences for the present.

"The empire, as it had been, formally came to an end in the 1960s, but its unhappy legacy remains in today’s world, where numerous conflicts occur in former colonial territories," observes Richard Gott in his compendium on British imperialism (Britain’s Empire, 2012). "If Britain was so successful with its colonies, why do many of them remain significant sources of violence and unrest?" he asks. The British—now reduced to the humble category of sheriff’s deputies, to an even greater extent than the rest of the Europeans—"have continued to wage wars in the lands of their former empire in the 21st century, and much of the British population has unquestioningly reverted to their old stance of unthinkingly accepting what is done in their name in far-flung places of the world," says Gott. The role played in the 19th century by "civilization," "commerce," and "Christianity" imposed on the "savages" is now played by the ideology of human rights, gender equality, and other noble causes. For all these reasons, recalling the exemplary exploits of such a virtuous empire is not a historical exercise but an imperative for understanding the present, and very particularly for understanding European complicity (political, financial, commercial, military, and media) with the Palestinian genocide.


Caged prisoners on route to Sydney, New South Wales

The British Gulag

The British Empire was a military dictatorship in which colonial governors imposed martial law at the slightest dissent. For over 200 years, it was the scene of constant revolt and repressive violence. In the metropolis itself, hundreds of thousands were confined in His Majesty’s island Gulag. Especially after the independence of the United States closed that colonial territory of the new world—in the thirty years before 1776, a quarter of emigrants arriving in Maryland were convicts—Caribbean islands like Bermuda and Roatán (Honduras), Asian ones like Penang (Malaysia), or Indian Ocean islands like the Seychelles or Andaman, were part of the British island prison system, which also sent many Indian and Chinese prisoners to Singapore. In the 19th century, the Seychelles were a prison for leaders of revolts and local notables from Zanzibar, Somalia, Egypt, or Ghana, who for one reason or another could not be executed. Archbishop Makarios, leader of the Greek Cypriot nationalists, was held there as recently as 1956. But it was Australia, the great island-continent offering unlimited space, that was the primary destination the government needed for the social detritus of its catastrophic industrial revolution—that great milestone of "progress" extolled by Landes.

In 1840, half the population of Tasmania, about 30,000 people, were prisoners. Since maintaining prisoners in metropolitan jails was expensive, the minimum sentences for deportation to Australia—to get them off the government’s hands, even for petty theft—were seven years. Between 1788 and 1868, 162,000 convicts were sent to Australia, including 4,000 trade unionists, Chartists, Luddites, the famous "Daughters of Rebecca" from Wales who smashed tollgates and barriers to protest privatization and road tolls, as well as 2,000 Irish revolutionaries.

The terrible situation of repressed individuals and convicts from the metropolis themselves repressing and massacring native populations in the colonies—so vividly seen in the United States with Native American nations—was repeated in other European colonies and also in Australia. In 1824, the military governor of New South Wales granted colonists, many of them deported ex-convicts, a license to kill Aborigines at will. The governor was named Thomas Brisbane, and his surname today names one of Australia’s major cities.

 

Below Decks, by Rodney K. Charman (1995).  Representation of the interior of a “coffin ship”( long cónra) transporting Irish migrants to America. Knights of Columbus Museum collection

The Irish Famine

Some consider the Chinese famine during the Great Leap Forward (1958–1962) the largest in history. A century earlier, the Irish Famine ("An Gorta Mór") was considerably worse than the Chinese one when considering the proportion of the population involved. With eight million inhabitants, hunger and its consequences carried off between one and two million Irish people. Some places lost a third of their population, half dead and the other half through emigration. (Patrick Joyce, 2024, Remembering Peasants: A Personal History of a Vanished World).

"I have visited the desolate remains of what were once noble redskins in their North American reservations and I have explored the black neighborhoods where Africans are degraded and enslaved," wrote English Quaker philanthropist James Hack Tuke in 1847 in a letter following his visit to Connaught, "but I have never seen such misery, nor such advanced physical degradation, as that of the inhabitants of the bogs of Ireland."

Other countries like France, Belgium, Holland, Germany, and Russia also suffered potato blights in 1846/1847, but unlike what happened in Ireland under British rule, they halted exports of other foodstuffs to compensate for the loss. English policy destined food produced in Ireland for export—a strategy whose maintenance was considered more important than the lives of the Irish. One of the protagonists of this policy, Assistant Secretary to the Treasury Charles Trevelyan, was more concerned with "modernizing" the Irish economy than saving lives, and thus saw the famine as an opportunity to apply radical free-market reforms.

"We have not the slightest doubt that, by virtue of the inscrutable but invariable laws of nature, the Celt is less active, less independent, and less industrious than the Saxon. This is the archaic condition of his race," wrote The Times, the central newspaper of the imperial establishment.

The Economist, the same weekly that in the 1990s preached the virtues of the Russian shock therapy—which left a demographic toll of half a million, mostly working-age men—while denigrating China’s reform, published on January 30, 1847, an editorial dedicated to the Irish crisis. "That the innocent should suffer with the guilty is a sad reality," it said, "but it is one of the great conditions on which the existence of all society is based. Every violation of the laws of morality and social order carries its own punishment. That is the first law of civilization." (In: The Economist and the Irish Famine — Crooked Timber)

Since the 16th century, a tithe was in effect in Ireland whereby the mostly Catholic Irish had to pay a tenth of their annual income to finance the Protestant church. Until 1829, Catholics who refused the Protestant oath of allegiance to the crown could not hold public office. During the famine, English Protestant theologians attributed the potato blight to "popery," that is, Catholicism, which had "provoked the wrath of God." The satirical weekly Punch constantly published cartoons depicting the Irish as brutish, dirty, lazy, violent apes, solely responsible for their own misfortune.

In 1847, while The Times ignored the famine’s disasters, a relief campaign was launched in the United States that exposed the London government. Packages marked "Ireland" were transported free by rail, and 114 ships were chartered with aid.

The Irish Holocaust continued for those who managed to emigrate. In the last of the three centuries of the slave trade, during which about ten million Africans were transferred to the New World, with half of them dying in the process of capture and transport, according to one of the great historians of that traffic (Joseph Miller, 1988, Way of Death), Irish emigrants met a fate not so different. On the English ships carrying Irish emigrants to America, conditions were so appalling that one in four died during the voyage or within six months of arriving in the New World. The mortality recorded on what were described as “coffin ships” was no less than that on ships transporting African slaves to the colonies. That this mortality was particularly high on English ships points to clear criminal negligence: for every death of an emigrant aboard an American ship, there were four on a British one; and for every sick person arriving in the United States on a North American ship, five arrived on a British vessel. In 1847, of the 98,000 emigrants who arrived in Canada on English ships, 25,000 died on the voyage or within six months of arrival. All this was news in the US and Canadian press, but the Times of London ignored it. The British government only began taking measures in 1854, seven years later. (Thomas Gallagher, Paddy's Lament, Ireland 1846-1847: Prelude to Hatred, 1982)

The entertainment industry has completely ignored the Irish Famine, but in 2018, a rare Irish exception produced in Luxembourg presented "Black 47" by director and screenwriter Lance Daly, an action film with a breathless western rhythm built upon the framework of that historical tragedy. The Times this time highlighted the film’s "macho theatricality," noting that "everything is deeply absurd, but within a hauntingly profound setting." The Independent emphasized the "excessively bleak" character of what it dubbed a "potato western" in allusion to spaghetti westerns, and The Guardian lamented that "the caricaturization of the villains diminishes the impact" of that excellent film, which was nonetheless a box office success…

Ireland in the West and Burma in the East were the territories most powerful and tenacious in their resistance to the English, which is why repression was particularly harsh there, but convulsions, famines, and revolts were also chronic in India.


Fresco on the walls of Shaheed-Smarak or Martyrs'-Memorial Auditorium in Jabalpur MP (India), depicting the Quit India Movement by local artist Beohar Rammanohar Sinha from Santiniketan

India

According to a recent estimate, in just the forty years from 1880 to 1920, British colonization caused an estimated 100 million deaths in India, resulting from the impoverishment of the population and the increased frequency and mortality of famines. (Jason Hickel, Dylan Sullivan, "How British colonialism killed 100 million Indians in 40 years"). "This is one of the greatest policy-induced mortality crises in human history," the authors state. "It is larger than the combined total of deaths that occurred during all the famines of the Soviet Union, Mao’s China, North Korea, Pol Pot’s Cambodia, and Mengistu’s Ethiopia," all in the 20th century, they say. Before that, in 1770, a great famine devastated Bengal, killing about 10 million of its inhabitants, a third of the population. The situation was worsened by the monopoly on rice and other products imposed by the British East India Company, which governed the territory. Collapse and taxes, combined with drought and hunger, marked the beginning of English rule in India, a pattern that would persist for 200 years.

Since its arrival on the subcontinent in the 17th century, Britain destroyed India’s manufacturing sector, which had exported textiles worldwide. The colonial regime eliminated tariffs on British textile products and created a system of taxes and internal barriers that prevented Indians from selling their products within the country, let alone exporting them. "If the history of British rule in India had to be condensed into a single fact, it would be this: between 1757 and 1947 there was no increase in per capita income, and in the second half of the 19th century, incomes surely fell by more than 50 percent," says Mike Davis (Late Victorian Holocausts, 2002). The new colonial economy made populations more vulnerable to droughts and adverse natural phenomena that fostered hunger. According to historian Robert C. Allen (Global Economic History: A Very Short Introduction, 2011), under British rule, extreme poverty rose from 23% in 1810 to over 50% by the mid-20th century, real wages decreased, and famines became more frequent and more deadly. Distant past?

England’s most important politician of World War II, Winston Churchill, who died in 1965, was a confessed racist. In the 1940s, he referred to Indians as "a beastly people with a beastly religion" and of the 1943 Bengal famine, which left three million dead, he claimed it was "their fault for breeding like rabbits." In 1919, Churchill declared himself "quite favorably inclined to the use of poison gas against uncivilized tribes." In the 1930s, he defined Palestinians as "barbaric hordes who eat nothing but camel dung." Before the war, he was an admirer of Mussolini ("I could not help being charmed by his gentle and simple bearing and his serene poise") and had words of praise for Hitler in 1937, the year of Guernica: "One may dislike Hitler’s system and yet admire his patriotic achievements. If our country were defeated, I hope we should find a champion as admirable to restore our courage and lead us back to our place among the nations." In the 1955 election campaign, Churchill proposed a slogan for the Conservative Party that many Europeans subscribe to today: “Keep England White!”

25/01/2026

Gaza: Past, Present, Future?
Truth and the Battle for Free Speech
Norman Finkelstein's Talk at University of Massachusetts – Amherst, Sept. 24, 2025


The genocide in Gaza has sparked a global battle for freedom of expression, opinion, and organization, both in the North and South of the planet. The response of so-called democratic regimes to movements of solidarity with the Palestinian people has been appalling, marked by the most brutal repression of actions and words, from Berlin to Tangier, from London to New York. Norman Finkelstein, a Jewish scholar and son of Holocaust survivors, was ostracized long before October 7, 2023, for his denunciation of what he called the Holocaust industry. His talk at the University of Massachusetts in September 2025 was historic. It was his first appearance at a US university since October 7. His words deserve to be engraved in the marble of history. Here they are.

The Glocal Workshop, January 2026
50 pages, A5
Dewey Decimal Classification: 956.94 – 323.119 – 323.44 – 378.121 – 378.744

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    18/01/2026

    A Cease-fire for Israelis and a War for Palestinians

    Why should Gaza interest anyone when Israelis aren’t being killed? When the blare of sirens dies down in Israel, that’s considered a cease-fire

    Gideon Levy, Haaretz, 18/1/2026


    Mikail Çiftçi, Türkiye

     When Israelis aren’t being killed there’s a cease-fire. When Israelis aren’t being killed but over 400 in Gaza are, including 100 children, that too is called a cease-fire. When Israel demolishes 2,500 houses in Gaza in the middle of a cease-fire, and Defense Minister Israel Katz praises IDF soldiers for their operations, that is still called a cease-fire.

    When hundreds of thousands of Gazans are freezing to death and wallowing in mud, that comes under the definition of a cease-fire.

    When thousands of seriously ill people are dying because Israel denies them life-saving medical attention or the possibility of leaving their cages and going elsewhere for treatment, this a cease-fire. When an educated Israeli woman asks during a Sabbath meal whether there are still Israeli soldiers in Gaza at a time when over one half of the enclave is occupied by the IDF, that is a quintessential indicator of the existence of a cease-fire, at least as Israelis define it.

    When life in Israel returns to normal, with cooking and song contests in full swing, and with in- depth discussions of the fateful issue of the leak to Bild magazine in Germany, that is the be-all and end-all of cease-fires. Only when a Hamas squad emerges from its hole and tries to plant an improvised explosive device in the rubble of Gaza, that is a grievous infraction of the cease-fire.

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    When Israelis aren’t being killed, all the rest is of no interest. Why should Gaza interest anyone when Israelis aren’t being killed? When the blare of sirens dies down in Israel, that is a cease-fire. The fact that Gaza is still being bombed, but lacks sirens, is irrelevant. The world too is already showing signs of weariness with regard to Gaza, despite this weekend’s news of the establishment of a "Board of Peace," which will not save a single dispossessed person in Gaza from their bitter fate.

    When Israelis are not being killed, a return to routine is declared, meaning that the war is over and that one can return to the victimhood stance of October 7, to the endless retelling of the stories of the hostages, to getting mired down in yesterday’s grief, being stunned every time there is a desperate attempt from Gaza to remind people of its existence. When Israelis aren’t being killed, Gaza doesn’t exist, nor does the entire Palestinian problem.

    When Israelis aren’t being killed, everything is good. When they aren’t being killed one can resume denying and forgetting Gaza. When Israelis aren’t getting killed in the West Bank, life is even more wonderful. The fact that dozens of Palestinians have been killed in the West Bank since the cease-fire took effect is even less interesting than the hundreds of Gazans killed in the same period.

    News of the existence of a cease-fire in Gaza has not reached the West Bank or the IDF’s Central Command. All the draconian restrictions imposed in the West Bank at the beginning of the war in Gaza remain in place, not one of them having been rescinded or eased.

    If those restrictions were imposed because of the war, why weren’t they lifted when the war ended? Nine hundred roadblocks set up during the war? Nine hundred roadblocks remain after the cease-fire took effect. Iron gates at every Palestinian community, opening and closing intermittently since the war began? The same thing continues after the war ended. Pogroms during the war? Even more so after it ended. When Israelis are not being killed, there’s no problem.

    The decision to impose on Israel the signing of a cease-fire agreement turned out to be the deal of the year. This is the first one-sided cease-fire in history. Israel is permitted anything while the other side is not allowed to breathe. All the hostages were returned except for one body, and the promise to evacuate Gaza once the hostages were returned evaporated instantly, forgotten as if it were never made. Remember? The hostages were returned, and Israel is in Gaza, since then and forever.

    The cease-fire also subdued the world outcry against Israel. Some in the world waited for an opportunity to return and embrace Israel, and a unilateral cease-fire is that opportunity. The world has moved on to Venezuela and Iran.

    Trump can continue disseminating his idea of the invented peace he brought to the Middle East, and Israelis can continue telling themselves that the war in Gaza was justified and achieved all its objectives. Now it’s over. There is a cease-fire. The main thing is that Israelis are not getting killed in Gaza. All the rest is of no interest.

    16/01/2026

    UPAL: Gaza depois do fogo after the fire después del fuego après le feu غزة بعد النار



      23/12/2025

      My Hannukah hero

       Gideon Levy, Haaretz, 21/12/2025

      My Hanukkah hero this year is an unidentified woman in black. It was Wednesday evening, the fourth night of Hanukkah, at Tel Aviv's Weizmann City Mall. With a hijab on her head, a purse on one arm and a cellphone in her other hand, she approached the menorah and blew out the four candles in a single breath. Her male companion applauded.

      Then the woman returned: The shamash candle (used to light the other eight candles) was still burning; she extinguished it as well. This woman is the Palestinian Rosa Parks. A video of her protest was posted on social media over the weekend.


      The incensed reactions were quick to follow: "Infuriating documentation" (Mako and Channel 14 News); "outrageous documentation" (the ultra-Orthodox news website Behadrei Haredim); "Arabic-speaking antisemite" ("The Shadow" [Yoav Eliasi] on Instagram).

      Yair Foldes reported in Haaretz that the police are investigating but have not yet decided on the appropriate charge. They are considering Article 170 of Israel's Penal Law, which prohibits "destroying, damaging or desecrating a place of worship or any object held sacred by a group of persons with the intention of thereby reviling their religion or with the knowledge that they are likely to consider such destruction, damage or desecration as an insult to their religion."

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      The maximum penalty: three years in prison. All those who have burned Qurans in West Bank mosques are free, and this woman will be arrested.

      As I write these lines, the police manhunt is in full swing. By Saturday evening, Monday night at the latest, the woman will be arrested. The show trial is on its way, even if Channel 14 host Yinon Magal is pessimistic: "They will catch her, photograph her next to the Israeli flag, bring her to a detention hearing and the judge will release her to house arrest."

      It's well known that Israel's houses are filled with Arabs whom the courts have released. Ask the poet Dareen Tatour, who was under house arrest for half a year (!) before her trial for a Facebook post, long before October 7, 2023. For right-wingers, the candle extinguisher is a terrorist who deserves the death sentence.

      It's not nice to blow out Hanukkah candles; I have no idea what motivated the brave woman, but it's hard to think of a more spectacular nonviolent act of protest.

      It's permissible to disrupt the holiday that Jews celebrate to commemorate the victory of the Hasmonean revolt against the Greek occupier. On a holiday during which Jews sing, "We come to banish darkness, in our hands are light and fire," it's permissible to protest. On a holiday in which Jews sing, "Let's have a party \ We'll all dance the hora \ Gather 'round the table \ We'll give you a treat \ dreidels to play with and latkes to eat," it's permissible to spoil things. Above all, on a holiday where Jews sing without shame: "When thou shalt have prepared a slaughter of the blaspheming foe" (the literal translation of part of the first verse of "Maoz Tzur"/"Rock of Ages") – it's permissible to rebel.

      It's permissible for a Palestinian Israeli to think that this celebration should be shut down with a personal act of protest: blowing out the candles in a mall. While her co-religionists and perhaps her relatives as well – in Jaffa, for example, there isn't a single Arab family without family in Gaza – are drowning in mud, freezing in the cold and hungry dogs continue to scavenge through the bodies of their trapped relatives, the Jews here will not celebrate as if nothing has happened.

      Someone must remind them that the war in Gaza isn't over and the suffering is only intensifying. Someone must remind Israelis that while they stuff their faces with fancy sufganiyot, in Gaza, there are still people who are starving, or at least sick and tired of eating lentils.

      There are hundreds of thousands of homeless people there who are being ravaged by winter. There are patients there who are dying slowly, in excruciating agony, for lack of medical care. And there are hundreds of thousands of children there whose friends have been killed, and for over two years they have had no school or any other framework to go to, and who are doomed to a life of ignorance and despair even if they survive the war, which is far from over.

      This affects Israel's Arabs. It pains them, even if they're paralyzed by fear of a regime that arrests anyone who dares to express humanity. And now an unknown woman came, on the fourth night of Hanukkah, and for one moment blew out the candles of the celebrating Israelis, with one breath. She is a hero.

      30/11/2025

      Pas de musique sans justice/No Music without Justice
      Lettre ouverte au directeur de la Philarmonie de Paris, Olivier Mantei
      Open Letter to Olivier Mantei, Director General of the Philharmonie de Paris

      English version after the French original
      Ce dimanche 30 novembre 2025, le Rotterdam Philharmonic Orchestra donnera un concert à la Philarmonie de Paris (Cité de la Musique) sous la direction de son directeur musical Lahav Shani, qui est aussi directeur musical de l’Orchestre philarmonique d’Israël et sera celui de l’Orchestre philarmonique de Munich à partir de septembre 2026. Un précédent concert donné le 6 novembre au même endroit par l’Orchestre symphonique d’Israël sous la même direction avait été le théâtre d’incidents, à la suite desquels 4 manifestants propalestiniens ont été mis en examen et ont déposé à leur tour diverses plaintes pour agressions et violation du secret de l’enquête. Plusieurs organisation viennent d’adresser la lettre ci-dessous au directeur de la Philarmonie.-Tlaxcala

      Jeudi 27 novembre 2025

      Monsieur le Directeur,

      Depuis le début du génocide à Gaza, on atteste de près de 70 000 personnes assassiné.e.s, hommes, femmes et enfants compris. Toujours à Gaza, ce sont 345 personnes qui ont été assassinées et 889 blessées par l’armée israélienne, depuis l’entrée en vigueur du « cessez-le-feu », le 11 octobre dernier, cessez-le-feu violé plus de 500 fois. En deux ans, c’est 6 fois la bombe d’Hiroshima qui s’est écrasée sur un territoire d’à peine 150 kilomètres carrés. L’aide humanitaire et médicale reste bloquée alors qu’avec l’hiver les épidémies s’apprêtent à emboîter le pas à la famine. Tous les jours les cadavres s’amoncèlent lorsqu’ils ont la « chance » d’être retrouvés. Lundi 24 novembre, c’est en armes que les milices israéliennes ont chassé les enfants du Théâtre national palestinien (El-Hakawati Theatre) de Jérusalem occupée. Ces armes feront certainement moins parler d’elles que de pauvres fumigènes brandis face aux ambassadeurs culturels de l'État d’Israël.

      Le génocide, tel qu’il a été caractérisé par les instances de droit international compétentes, se poursuit sous nos yeux. Et vous, que faites-vous ?

      Protestations contre une série de concerts de l'Israel Symphony Orchestra au Carnegie Hall de New York, 15 octobre 2025


      Non content d’inviter l’Israel Philharmonic Orchestra (IPO) et son chef titulaire, ambassadeurs officiels de l’état colonial en plein génocide, non content d’accueillir ces musicien.ne.s qui se font le relais de la déshumanisation des Palestinien.ne.s par des propos de désinformation condamnables sur leurs réseaux sociaux à l’instar d’Eleonora Lutsky qui nous parle de « Hamaswood » et Kirill Mihanovsky qui désigne les Palestinien.ne.s  de « monstrueux voisins », non content d’attaquer en justice des militant.e.s pacifiques qui appellent au boycott légitime des institutions culturelles israéliennes qui participent à la normalisation du génocide, vous, vous décidez de vous enfoncer avec votre institution dans le mensonge en espérant ne jamais avoir à assumer vos responsabilités face à l’histoire et face à la justice.

      Vous avez menti à vos salarié.e.s lors d’une assemblée générale extraordinaire en qualifiant de violent.e.s des militant.e.s pacifistes, en passant sous silence la violence des insultes racistes et homophobes d’une partie du public, en affirmant que vous ne saviez pas que l’orchestre allait jouer l’hymne israélien alors qu’il l’interprète régulièrement lors de ces tournées. Car oui, cet hymne n’a pas été joué en réaction à l’action de nos camarades, c’était déjà un acte prémédité.

      Vous avez été cordialement invité, au regard des appels palestiniens et dans le cadre du droit international, à annuler les venues de Lahav Shani, de l’IPO et du Jerusalem Quartet pour le rôle institutionnel qu’ils occupent dans la politique d’effacement par la culture du crime de génocide commis par Israël. À ces appels, là encore, vous avez répondu par le mensonge et par l’instrumentalisation outrancière des artistes palestinien.ne.s programmé.e.s dans votre institution pour justifier votre collaboration avec les institutions culturelles de l’état génocidaire. Ce mardi 25 novembre, vous avez décidé d’assumer cet agenda politique et d’entraîner toute votre institution dans le discours de propagande en répondant positivement à la demande de Lahav Shani de s’expliquer auprès de vos salarié.e.s. Un discours d'explication qui n’est autre qu'un redoublement de condamnation qualifiant la protestation pacifiste d’ « attaque armée » à l’encontre de l’identité israélienne. Or, chacun des appels à boycott que vous avez reçus était très clair sur la nature de l’action : « nous n’appelons pas à boycotter des artistes du fait de leur nationalité israélienne mais du fait de leur participation institutionnelle à la politique d’effacement des vies palestiniennes orchestrée par l’État israélien. »

      Vous imposez à vos salarié.e.s le discours de propagande par l’explication - hasbara - alors que vous refusez le dialogue avec celles et ceux qui vous alertent depuis le début sur cette complicité avec le pire. C’est votre manière de passer sous silence les voix palestiniennes.

      Cacher vos décisions derrière le supposé apolitisme de la musique classique relevait déjà de l’outrage face aux souffrances endurées par les Palestinien.ne.s depuis plus de deux ans et à l’égard du droit international. Devions-nous espérer, après un tel acharnement à maintenir la collaboration avec les ambassadeurs du génocide notamment par le recours démesuré à la force policière et judiciaire, que vous reveniez à la raison ? Vous êtes aujourd’hui prêt à excuser un tel affront à la dignité humaine et au droit international - comme l’a été l’hymne de l'État génocidaire qui a retenti dans vos murs. Et tout cela pourquoi ? Pour ne pas prendre le risque d’annuler un concert avec Martha Argerich parce que cela ferait mauvais genre auprès de vos confrères ? Ou pour ne pas froisser l’extrême droite politique et médiatique qui, depuis le 6 novembre, vous soutient inconditionnellement comme elle a soutenu la politique génocidaire ?

      Renoncez donc à vos valeurs humanistes de pacotille et assumez l’agenda réactionnaire que vous avez décidé d’endosser en ouvrant les portes de votre institution à celles et ceux qui nient la valeur des vies palestiniennes et le droit international. Vos mensonges se poursuivent car non, cette institution n’est plus la nôtre. Vous l’avez livrée au fascisme qui ronge le monde, vous en avez fait l’étendard de la déshumanisation, la normalisation des heures les plus sombres de notre présent. Vous n’avez jamais souhaité nous écouter lorsque nous vous avons alerté. Vous faites la sourde oreille au bruit des bombes lorsqu’elles explosent sur Gaza en tuant par milliers hommes, femmes et enfants, mais vous ouvrez votre scène à celles et ceux qui les lancent là-bas, mais aussi au Qatar, en Iran, au Yémen, au Liban et en Syrie.

      À quoi s’attendre pour les concerts des 30 novembre et 16 janvier prochains ? À une Philharmonie aux allures de bunker, nouveau fief des forces de l’ordre et de la répression dans le 19e arrondissement de Paris ? À une réunion au sommet des institutions et associations négationnistes du génocide en cours et qui, par le pire travers antisémite qui consiste à associer toustes les Juif.ve.s du monde à l’état d’Israël, instrumentalisent l’histoire et la culture juive à des fins guerrières ?  Si vous n’entendez pas les souffrances des Palestinien.ne.s avez vous au moins compris celles de vos salarié.e.s et des mélomanes que vous traînez dans votre complicité outrageante ?

      Au nom de la musique que nous défendons, au nom de l’humanité que nous incarnons et puisqu’il s’agirait encore selon vous de notre institution, nous vous exhortons à cesser toute collaboration avec les institutions culturelles et académiques israéliennes qui lavent les mains des génocidaires. Après vous avoir invité cordialement à envisager l’annulation des venues de Lahav Shani et du Jerusalem Quartet, nous vous l’exigeons. Et malgré vos habitudes policières prises le 6 novembre dernier, nos revendications et surtout les voix palestiniennes dont nous nous faisons le relais ne souffriront aucune de vos répressions. Enfin, dans le doute que tout cela soit entendu il nous faudra constater que vous n’avez pas été à la hauteur de vos fonctions d’un point de vue politique et moral et qu’il nous semblera justifié d’exiger votre démission au nom de la dignité des victimes d’un génocide que vous avez décidé de normaliser. L’histoire finira par juger les auteur.ice.s du génocide et leurs complices. À ce jour, vous êtes sur le banc des accusés.

      Tahia Falestine !

      Artistes pour la Palestine - France
      Palestine Action
      Union Juive Française pour la Paix
      Tsedek
      Culture en luttes

      On Sunday, November 30, 2025, the Rotterdam Philharmonic Orchestra will give a concert at the Philharmonie de Paris (Cité de la Musique) under the baton of its music director Lahav Shani, who is also music director of the Israel Philharmonic Orchestra and will be music director of the Munich Philharmonic Orchestra from September 2026. A previous concert given on November 6 at the same venue by the Israel Symphony Orchestra under the same conductor was the scene of incidents, following which four pro-Palestinian protesters were charged and in turn filed various complaints for assault and violation of the secrecy of the investigation. Several organizations have just sent the letter below to the director of the Philharmonic. -Tlaxcala

      Thursday, 27 November 2025

      Sir,

      Since the beginning of the genocide in Gaza, nearly 70,000 people have been killed—men, women, and children included. Still in Gaza, 345 people have been killed and 889 injured by the Israeli army since the so-called “ceasefire” came into effect on October 11, a ceasefire that has been violated more than 500 times. In two years, the equivalent of six Hiroshima bombs has been dropped on a territory barely 150 square kilometers in size. Humanitarian and medical aid remains blocked while, with winter approaching, epidemics are preparing to follow in the footsteps of famine. Every day, bodies pile up—when they have the “luck” of being found. On Monday, November 24, armed Israeli militias forced children out of the Palestinian National Theatre (El-Hakawati Theatre) in occupied Jerusalem. These weapons will certainly attract less attention than a few harmless smoke flares raised in front of the cultural ambassadors of the State of Israel.

      The genocide—characterized as such by the relevant international legal bodies—continues before our eyes. And you, what are you doing?

      Not only have you invited the Israel Philharmonic Orchestra (IPO) and its principal conductor, official ambassadors of a colonial state in the midst of committing genocide; not only have you welcomed musicians who relay the dehumanization of Palestinians through reprehensible disinformation on their social media—for instance, Eleonora Lutsky speaking of “Hamaswood,” or Kirill Mihanovsky referring to Palestinians as “monstrous neighbors”; not only have you taken peaceful activists to court for calling for the legitimate boycott of Israeli cultural institutions that participate in the normalization of genocide—you have chosen to plunge your institution deeper into falsehood, hoping never to have to assume your responsibilities before history and before justice.
      You lied to your employees during an extraordinary general assembly, describing peaceful activists as violent, ignoring the racist and homophobic insults from part of the audience, and claiming you did not know the orchestra would play the Israeli anthem even though they perform it regularly on tour. Yes—the anthem was not played in response to the action of our comrades; it was a premeditated act.

      You were cordially invited—considering the Palestinian calls and in accordance with international law—to cancel the appearances of Lahav Shani, the IPO, and the Jerusalem Quartet due to the institutional role they play in the cultural whitewashing of the crime of genocide committed by Israel. To these calls you again responded with falsehoods and with the blatant instrumentalization of Palestinian artists programmed in your institution, using them to justify your collaboration with the cultural institutions of a genocidal state.
      This Tuesday, November 25, you chose to fully assume this political agenda and drag your entire institution into the propaganda narrative by agreeing to Lahav Shani’s request to address your employees. His “explanation” was nothing more than a renewed condemnation, describing peaceful protest as an “armed attack” against Israeli identity. Yet every call to boycott you received was very clear: “We are not calling for a boycott of artists because of their Israeli nationality, but because of their institutional participation in the erasure of Palestinian lives orchestrated by the Israeli state.”
      You impose propaganda—hasbara—on your employees through these explanations, while refusing dialogue with those who have been warning you from the start about this complicity with the worst. This is your way of silencing Palestinian voices.

      Hiding behind the supposed apolitical nature of classical music was already an outrage given the suffering endured by Palestinians over the past two years and in the face of international law. After such relentless efforts to maintain collaboration with the ambassadors of genocide—calling disproportionately on police and judicial force—were we to hope you might come to your senses?
      Today you are ready to excuse an affront to human dignity and to international law—just like the anthem of the genocidal state that resounded within your walls. And why? To avoid risking the cancellation of a concert with Martha Argerich because it would look bad among your peers? Or to avoid offending the far-right political and media forces that have supported you unconditionally since November 6, just as they support genocidal policy?

      Cast aside your sham humanist values and assume the reactionary agenda you have chosen to adopt by opening your institution’s doors to those who deny the value of Palestinian lives and international law. Your lies continue, because no—this institution is no longer ours. You have handed it over to the fascism eating away at the world; you have made it a banner of dehumanization and the normalization of the darkest hours of our present. You never wished to hear us when we warned you. You turn a deaf ear to the sound of bombs exploding over Gaza, killing thousands of men, women, and children, but you open your stage to those who drop them there—and in Qatar, Iran, Yemen, Lebanon, and Syria as well.

      What are we to expect for the concerts of November 30 and January 16? A Philharmonie turned into a bunker, new stronghold of law enforcement and repression in Paris’s 19th arrondissement? A summit of institutions and associations denying the ongoing genocide and—through the very worst form of antisemitism, which consists of conflating all Jews worldwide with the State of Israel—instrumentalizing Jewish history and culture for warlike purposes?
      If you cannot hear the suffering of Palestinians, have you at least understood that of your employees and of the music-lovers you are dragging into your outrageous complicity?

      In the name of the music we defend, in the name of the humanity we embody, and since this is supposedly still our institution according to you, we call on you to cease all collaboration with Israeli cultural and academic institutions that wash the hands of the perpetrators of genocide.
      After having cordially invited you to consider cancelling the appearances of Lahav Shani and the Jerusalem Quartet, we now demand it. And despite the policing habits you embraced on November 6, our demands—and above all the Palestinian voices we relay—will not tolerate any repression from you.
      Finally, should all this go unheard, we will be forced to acknowledge that you have failed to meet the political and moral responsibilities of your position, and it will seem justified to demand your resignation in the name of the dignity of the victims of a genocide you have chosen to normalize.
      History will judge the perpetrators of genocide and their accomplices. As of today, you sit on the defendants’ bench.

      Tahia Falestine!

      Artistes pour la Palestine - France
      Palestine Action
      Union Juive Française pour la Paix
      Tsedek
      Culture en lutte