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Affichage des articles dont le libellé est Gaza genocide. Afficher tous les articles
Affichage des articles dont le libellé est Gaza genocide. Afficher tous les articles

25/01/2026

Gaza: Past, Present, Future?
Truth and the Battle for Free Speech
Norman Finkelstein's Talk at University of Massachusetts – Amherst, Sept. 24, 2025


The genocide in Gaza has sparked a global battle for freedom of expression, opinion, and organization, both in the North and South of the planet. The response of so-called democratic regimes to movements of solidarity with the Palestinian people has been appalling, marked by the most brutal repression of actions and words, from Berlin to Tangier, from London to New York. Norman Finkelstein, a Jewish scholar and son of Holocaust survivors, was ostracized long before October 7, 2023, for his denunciation of what he called the Holocaust industry. His talk at the University of Massachusetts in September 2025 was historic. It was his first appearance at a US university since October 7. His words deserve to be engraved in the marble of history. Here they are.

The Glocal Workshop, January 2026
50 pages, A5
Dewey Decimal Classification: 956.94 – 323.119 – 323.44 – 378.121 – 378.744

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    18/01/2026

    A Cease-fire for Israelis and a War for Palestinians

    Why should Gaza interest anyone when Israelis aren’t being killed? When the blare of sirens dies down in Israel, that’s considered a cease-fire

    Gideon Levy, Haaretz, 18/1/2026


    Mikail Çiftçi, Türkiye

     When Israelis aren’t being killed there’s a cease-fire. When Israelis aren’t being killed but over 400 in Gaza are, including 100 children, that too is called a cease-fire. When Israel demolishes 2,500 houses in Gaza in the middle of a cease-fire, and Defense Minister Israel Katz praises IDF soldiers for their operations, that is still called a cease-fire.

    When hundreds of thousands of Gazans are freezing to death and wallowing in mud, that comes under the definition of a cease-fire.

    When thousands of seriously ill people are dying because Israel denies them life-saving medical attention or the possibility of leaving their cages and going elsewhere for treatment, this a cease-fire. When an educated Israeli woman asks during a Sabbath meal whether there are still Israeli soldiers in Gaza at a time when over one half of the enclave is occupied by the IDF, that is a quintessential indicator of the existence of a cease-fire, at least as Israelis define it.

    When life in Israel returns to normal, with cooking and song contests in full swing, and with in- depth discussions of the fateful issue of the leak to Bild magazine in Germany, that is the be-all and end-all of cease-fires. Only when a Hamas squad emerges from its hole and tries to plant an improvised explosive device in the rubble of Gaza, that is a grievous infraction of the cease-fire.

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    When Israelis aren’t being killed, all the rest is of no interest. Why should Gaza interest anyone when Israelis aren’t being killed? When the blare of sirens dies down in Israel, that is a cease-fire. The fact that Gaza is still being bombed, but lacks sirens, is irrelevant. The world too is already showing signs of weariness with regard to Gaza, despite this weekend’s news of the establishment of a "Board of Peace," which will not save a single dispossessed person in Gaza from their bitter fate.

    When Israelis are not being killed, a return to routine is declared, meaning that the war is over and that one can return to the victimhood stance of October 7, to the endless retelling of the stories of the hostages, to getting mired down in yesterday’s grief, being stunned every time there is a desperate attempt from Gaza to remind people of its existence. When Israelis aren’t being killed, Gaza doesn’t exist, nor does the entire Palestinian problem.

    When Israelis aren’t being killed, everything is good. When they aren’t being killed one can resume denying and forgetting Gaza. When Israelis aren’t getting killed in the West Bank, life is even more wonderful. The fact that dozens of Palestinians have been killed in the West Bank since the cease-fire took effect is even less interesting than the hundreds of Gazans killed in the same period.

    News of the existence of a cease-fire in Gaza has not reached the West Bank or the IDF’s Central Command. All the draconian restrictions imposed in the West Bank at the beginning of the war in Gaza remain in place, not one of them having been rescinded or eased.

    If those restrictions were imposed because of the war, why weren’t they lifted when the war ended? Nine hundred roadblocks set up during the war? Nine hundred roadblocks remain after the cease-fire took effect. Iron gates at every Palestinian community, opening and closing intermittently since the war began? The same thing continues after the war ended. Pogroms during the war? Even more so after it ended. When Israelis are not being killed, there’s no problem.

    The decision to impose on Israel the signing of a cease-fire agreement turned out to be the deal of the year. This is the first one-sided cease-fire in history. Israel is permitted anything while the other side is not allowed to breathe. All the hostages were returned except for one body, and the promise to evacuate Gaza once the hostages were returned evaporated instantly, forgotten as if it were never made. Remember? The hostages were returned, and Israel is in Gaza, since then and forever.

    The cease-fire also subdued the world outcry against Israel. Some in the world waited for an opportunity to return and embrace Israel, and a unilateral cease-fire is that opportunity. The world has moved on to Venezuela and Iran.

    Trump can continue disseminating his idea of the invented peace he brought to the Middle East, and Israelis can continue telling themselves that the war in Gaza was justified and achieved all its objectives. Now it’s over. There is a cease-fire. The main thing is that Israelis are not getting killed in Gaza. All the rest is of no interest.

    16/01/2026

    UPAL: Gaza depois do fogo after the fire después del fuego après le feu غزة بعد النار



      23/12/2025

      My Hannukah hero

       Gideon Levy, Haaretz, 21/12/2025

      My Hanukkah hero this year is an unidentified woman in black. It was Wednesday evening, the fourth night of Hanukkah, at Tel Aviv's Weizmann City Mall. With a hijab on her head, a purse on one arm and a cellphone in her other hand, she approached the menorah and blew out the four candles in a single breath. Her male companion applauded.

      Then the woman returned: The shamash candle (used to light the other eight candles) was still burning; she extinguished it as well. This woman is the Palestinian Rosa Parks. A video of her protest was posted on social media over the weekend.


      The incensed reactions were quick to follow: "Infuriating documentation" (Mako and Channel 14 News); "outrageous documentation" (the ultra-Orthodox news website Behadrei Haredim); "Arabic-speaking antisemite" ("The Shadow" [Yoav Eliasi] on Instagram).

      Yair Foldes reported in Haaretz that the police are investigating but have not yet decided on the appropriate charge. They are considering Article 170 of Israel's Penal Law, which prohibits "destroying, damaging or desecrating a place of worship or any object held sacred by a group of persons with the intention of thereby reviling their religion or with the knowledge that they are likely to consider such destruction, damage or desecration as an insult to their religion."

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      The maximum penalty: three years in prison. All those who have burned Qurans in West Bank mosques are free, and this woman will be arrested.

      As I write these lines, the police manhunt is in full swing. By Saturday evening, Monday night at the latest, the woman will be arrested. The show trial is on its way, even if Channel 14 host Yinon Magal is pessimistic: "They will catch her, photograph her next to the Israeli flag, bring her to a detention hearing and the judge will release her to house arrest."

      It's well known that Israel's houses are filled with Arabs whom the courts have released. Ask the poet Dareen Tatour, who was under house arrest for half a year (!) before her trial for a Facebook post, long before October 7, 2023. For right-wingers, the candle extinguisher is a terrorist who deserves the death sentence.

      It's not nice to blow out Hanukkah candles; I have no idea what motivated the brave woman, but it's hard to think of a more spectacular nonviolent act of protest.

      It's permissible to disrupt the holiday that Jews celebrate to commemorate the victory of the Hasmonean revolt against the Greek occupier. On a holiday during which Jews sing, "We come to banish darkness, in our hands are light and fire," it's permissible to protest. On a holiday in which Jews sing, "Let's have a party \ We'll all dance the hora \ Gather 'round the table \ We'll give you a treat \ dreidels to play with and latkes to eat," it's permissible to spoil things. Above all, on a holiday where Jews sing without shame: "When thou shalt have prepared a slaughter of the blaspheming foe" (the literal translation of part of the first verse of "Maoz Tzur"/"Rock of Ages") – it's permissible to rebel.

      It's permissible for a Palestinian Israeli to think that this celebration should be shut down with a personal act of protest: blowing out the candles in a mall. While her co-religionists and perhaps her relatives as well – in Jaffa, for example, there isn't a single Arab family without family in Gaza – are drowning in mud, freezing in the cold and hungry dogs continue to scavenge through the bodies of their trapped relatives, the Jews here will not celebrate as if nothing has happened.

      Someone must remind them that the war in Gaza isn't over and the suffering is only intensifying. Someone must remind Israelis that while they stuff their faces with fancy sufganiyot, in Gaza, there are still people who are starving, or at least sick and tired of eating lentils.

      There are hundreds of thousands of homeless people there who are being ravaged by winter. There are patients there who are dying slowly, in excruciating agony, for lack of medical care. And there are hundreds of thousands of children there whose friends have been killed, and for over two years they have had no school or any other framework to go to, and who are doomed to a life of ignorance and despair even if they survive the war, which is far from over.

      This affects Israel's Arabs. It pains them, even if they're paralyzed by fear of a regime that arrests anyone who dares to express humanity. And now an unknown woman came, on the fourth night of Hanukkah, and for one moment blew out the candles of the celebrating Israelis, with one breath. She is a hero.

      30/11/2025

      Pas de musique sans justice/No Music without Justice
      Lettre ouverte au directeur de la Philarmonie de Paris, Olivier Mantei
      Open Letter to Olivier Mantei, Director General of the Philharmonie de Paris

      English version after the French original
      Ce dimanche 30 novembre 2025, le Rotterdam Philharmonic Orchestra donnera un concert à la Philarmonie de Paris (Cité de la Musique) sous la direction de son directeur musical Lahav Shani, qui est aussi directeur musical de l’Orchestre philarmonique d’Israël et sera celui de l’Orchestre philarmonique de Munich à partir de septembre 2026. Un précédent concert donné le 6 novembre au même endroit par l’Orchestre symphonique d’Israël sous la même direction avait été le théâtre d’incidents, à la suite desquels 4 manifestants propalestiniens ont été mis en examen et ont déposé à leur tour diverses plaintes pour agressions et violation du secret de l’enquête. Plusieurs organisation viennent d’adresser la lettre ci-dessous au directeur de la Philarmonie.-Tlaxcala

      Jeudi 27 novembre 2025

      Monsieur le Directeur,

      Depuis le début du génocide à Gaza, on atteste de près de 70 000 personnes assassiné.e.s, hommes, femmes et enfants compris. Toujours à Gaza, ce sont 345 personnes qui ont été assassinées et 889 blessées par l’armée israélienne, depuis l’entrée en vigueur du « cessez-le-feu », le 11 octobre dernier, cessez-le-feu violé plus de 500 fois. En deux ans, c’est 6 fois la bombe d’Hiroshima qui s’est écrasée sur un territoire d’à peine 150 kilomètres carrés. L’aide humanitaire et médicale reste bloquée alors qu’avec l’hiver les épidémies s’apprêtent à emboîter le pas à la famine. Tous les jours les cadavres s’amoncèlent lorsqu’ils ont la « chance » d’être retrouvés. Lundi 24 novembre, c’est en armes que les milices israéliennes ont chassé les enfants du Théâtre national palestinien (El-Hakawati Theatre) de Jérusalem occupée. Ces armes feront certainement moins parler d’elles que de pauvres fumigènes brandis face aux ambassadeurs culturels de l'État d’Israël.

      Le génocide, tel qu’il a été caractérisé par les instances de droit international compétentes, se poursuit sous nos yeux. Et vous, que faites-vous ?

      Protestations contre une série de concerts de l'Israel Symphony Orchestra au Carnegie Hall de New York, 15 octobre 2025


      Non content d’inviter l’Israel Philharmonic Orchestra (IPO) et son chef titulaire, ambassadeurs officiels de l’état colonial en plein génocide, non content d’accueillir ces musicien.ne.s qui se font le relais de la déshumanisation des Palestinien.ne.s par des propos de désinformation condamnables sur leurs réseaux sociaux à l’instar d’Eleonora Lutsky qui nous parle de « Hamaswood » et Kirill Mihanovsky qui désigne les Palestinien.ne.s  de « monstrueux voisins », non content d’attaquer en justice des militant.e.s pacifiques qui appellent au boycott légitime des institutions culturelles israéliennes qui participent à la normalisation du génocide, vous, vous décidez de vous enfoncer avec votre institution dans le mensonge en espérant ne jamais avoir à assumer vos responsabilités face à l’histoire et face à la justice.

      Vous avez menti à vos salarié.e.s lors d’une assemblée générale extraordinaire en qualifiant de violent.e.s des militant.e.s pacifistes, en passant sous silence la violence des insultes racistes et homophobes d’une partie du public, en affirmant que vous ne saviez pas que l’orchestre allait jouer l’hymne israélien alors qu’il l’interprète régulièrement lors de ces tournées. Car oui, cet hymne n’a pas été joué en réaction à l’action de nos camarades, c’était déjà un acte prémédité.

      Vous avez été cordialement invité, au regard des appels palestiniens et dans le cadre du droit international, à annuler les venues de Lahav Shani, de l’IPO et du Jerusalem Quartet pour le rôle institutionnel qu’ils occupent dans la politique d’effacement par la culture du crime de génocide commis par Israël. À ces appels, là encore, vous avez répondu par le mensonge et par l’instrumentalisation outrancière des artistes palestinien.ne.s programmé.e.s dans votre institution pour justifier votre collaboration avec les institutions culturelles de l’état génocidaire. Ce mardi 25 novembre, vous avez décidé d’assumer cet agenda politique et d’entraîner toute votre institution dans le discours de propagande en répondant positivement à la demande de Lahav Shani de s’expliquer auprès de vos salarié.e.s. Un discours d'explication qui n’est autre qu'un redoublement de condamnation qualifiant la protestation pacifiste d’ « attaque armée » à l’encontre de l’identité israélienne. Or, chacun des appels à boycott que vous avez reçus était très clair sur la nature de l’action : « nous n’appelons pas à boycotter des artistes du fait de leur nationalité israélienne mais du fait de leur participation institutionnelle à la politique d’effacement des vies palestiniennes orchestrée par l’État israélien. »

      Vous imposez à vos salarié.e.s le discours de propagande par l’explication - hasbara - alors que vous refusez le dialogue avec celles et ceux qui vous alertent depuis le début sur cette complicité avec le pire. C’est votre manière de passer sous silence les voix palestiniennes.

      Cacher vos décisions derrière le supposé apolitisme de la musique classique relevait déjà de l’outrage face aux souffrances endurées par les Palestinien.ne.s depuis plus de deux ans et à l’égard du droit international. Devions-nous espérer, après un tel acharnement à maintenir la collaboration avec les ambassadeurs du génocide notamment par le recours démesuré à la force policière et judiciaire, que vous reveniez à la raison ? Vous êtes aujourd’hui prêt à excuser un tel affront à la dignité humaine et au droit international - comme l’a été l’hymne de l'État génocidaire qui a retenti dans vos murs. Et tout cela pourquoi ? Pour ne pas prendre le risque d’annuler un concert avec Martha Argerich parce que cela ferait mauvais genre auprès de vos confrères ? Ou pour ne pas froisser l’extrême droite politique et médiatique qui, depuis le 6 novembre, vous soutient inconditionnellement comme elle a soutenu la politique génocidaire ?

      Renoncez donc à vos valeurs humanistes de pacotille et assumez l’agenda réactionnaire que vous avez décidé d’endosser en ouvrant les portes de votre institution à celles et ceux qui nient la valeur des vies palestiniennes et le droit international. Vos mensonges se poursuivent car non, cette institution n’est plus la nôtre. Vous l’avez livrée au fascisme qui ronge le monde, vous en avez fait l’étendard de la déshumanisation, la normalisation des heures les plus sombres de notre présent. Vous n’avez jamais souhaité nous écouter lorsque nous vous avons alerté. Vous faites la sourde oreille au bruit des bombes lorsqu’elles explosent sur Gaza en tuant par milliers hommes, femmes et enfants, mais vous ouvrez votre scène à celles et ceux qui les lancent là-bas, mais aussi au Qatar, en Iran, au Yémen, au Liban et en Syrie.

      À quoi s’attendre pour les concerts des 30 novembre et 16 janvier prochains ? À une Philharmonie aux allures de bunker, nouveau fief des forces de l’ordre et de la répression dans le 19e arrondissement de Paris ? À une réunion au sommet des institutions et associations négationnistes du génocide en cours et qui, par le pire travers antisémite qui consiste à associer toustes les Juif.ve.s du monde à l’état d’Israël, instrumentalisent l’histoire et la culture juive à des fins guerrières ?  Si vous n’entendez pas les souffrances des Palestinien.ne.s avez vous au moins compris celles de vos salarié.e.s et des mélomanes que vous traînez dans votre complicité outrageante ?

      Au nom de la musique que nous défendons, au nom de l’humanité que nous incarnons et puisqu’il s’agirait encore selon vous de notre institution, nous vous exhortons à cesser toute collaboration avec les institutions culturelles et académiques israéliennes qui lavent les mains des génocidaires. Après vous avoir invité cordialement à envisager l’annulation des venues de Lahav Shani et du Jerusalem Quartet, nous vous l’exigeons. Et malgré vos habitudes policières prises le 6 novembre dernier, nos revendications et surtout les voix palestiniennes dont nous nous faisons le relais ne souffriront aucune de vos répressions. Enfin, dans le doute que tout cela soit entendu il nous faudra constater que vous n’avez pas été à la hauteur de vos fonctions d’un point de vue politique et moral et qu’il nous semblera justifié d’exiger votre démission au nom de la dignité des victimes d’un génocide que vous avez décidé de normaliser. L’histoire finira par juger les auteur.ice.s du génocide et leurs complices. À ce jour, vous êtes sur le banc des accusés.

      Tahia Falestine !

      Artistes pour la Palestine - France
      Palestine Action
      Union Juive Française pour la Paix
      Tsedek
      Culture en luttes

      On Sunday, November 30, 2025, the Rotterdam Philharmonic Orchestra will give a concert at the Philharmonie de Paris (Cité de la Musique) under the baton of its music director Lahav Shani, who is also music director of the Israel Philharmonic Orchestra and will be music director of the Munich Philharmonic Orchestra from September 2026. A previous concert given on November 6 at the same venue by the Israel Symphony Orchestra under the same conductor was the scene of incidents, following which four pro-Palestinian protesters were charged and in turn filed various complaints for assault and violation of the secrecy of the investigation. Several organizations have just sent the letter below to the director of the Philharmonic. -Tlaxcala

      Thursday, 27 November 2025

      Sir,

      Since the beginning of the genocide in Gaza, nearly 70,000 people have been killed—men, women, and children included. Still in Gaza, 345 people have been killed and 889 injured by the Israeli army since the so-called “ceasefire” came into effect on October 11, a ceasefire that has been violated more than 500 times. In two years, the equivalent of six Hiroshima bombs has been dropped on a territory barely 150 square kilometers in size. Humanitarian and medical aid remains blocked while, with winter approaching, epidemics are preparing to follow in the footsteps of famine. Every day, bodies pile up—when they have the “luck” of being found. On Monday, November 24, armed Israeli militias forced children out of the Palestinian National Theatre (El-Hakawati Theatre) in occupied Jerusalem. These weapons will certainly attract less attention than a few harmless smoke flares raised in front of the cultural ambassadors of the State of Israel.

      The genocide—characterized as such by the relevant international legal bodies—continues before our eyes. And you, what are you doing?

      Not only have you invited the Israel Philharmonic Orchestra (IPO) and its principal conductor, official ambassadors of a colonial state in the midst of committing genocide; not only have you welcomed musicians who relay the dehumanization of Palestinians through reprehensible disinformation on their social media—for instance, Eleonora Lutsky speaking of “Hamaswood,” or Kirill Mihanovsky referring to Palestinians as “monstrous neighbors”; not only have you taken peaceful activists to court for calling for the legitimate boycott of Israeli cultural institutions that participate in the normalization of genocide—you have chosen to plunge your institution deeper into falsehood, hoping never to have to assume your responsibilities before history and before justice.
      You lied to your employees during an extraordinary general assembly, describing peaceful activists as violent, ignoring the racist and homophobic insults from part of the audience, and claiming you did not know the orchestra would play the Israeli anthem even though they perform it regularly on tour. Yes—the anthem was not played in response to the action of our comrades; it was a premeditated act.

      You were cordially invited—considering the Palestinian calls and in accordance with international law—to cancel the appearances of Lahav Shani, the IPO, and the Jerusalem Quartet due to the institutional role they play in the cultural whitewashing of the crime of genocide committed by Israel. To these calls you again responded with falsehoods and with the blatant instrumentalization of Palestinian artists programmed in your institution, using them to justify your collaboration with the cultural institutions of a genocidal state.
      This Tuesday, November 25, you chose to fully assume this political agenda and drag your entire institution into the propaganda narrative by agreeing to Lahav Shani’s request to address your employees. His “explanation” was nothing more than a renewed condemnation, describing peaceful protest as an “armed attack” against Israeli identity. Yet every call to boycott you received was very clear: “We are not calling for a boycott of artists because of their Israeli nationality, but because of their institutional participation in the erasure of Palestinian lives orchestrated by the Israeli state.”
      You impose propaganda—hasbara—on your employees through these explanations, while refusing dialogue with those who have been warning you from the start about this complicity with the worst. This is your way of silencing Palestinian voices.

      Hiding behind the supposed apolitical nature of classical music was already an outrage given the suffering endured by Palestinians over the past two years and in the face of international law. After such relentless efforts to maintain collaboration with the ambassadors of genocide—calling disproportionately on police and judicial force—were we to hope you might come to your senses?
      Today you are ready to excuse an affront to human dignity and to international law—just like the anthem of the genocidal state that resounded within your walls. And why? To avoid risking the cancellation of a concert with Martha Argerich because it would look bad among your peers? Or to avoid offending the far-right political and media forces that have supported you unconditionally since November 6, just as they support genocidal policy?

      Cast aside your sham humanist values and assume the reactionary agenda you have chosen to adopt by opening your institution’s doors to those who deny the value of Palestinian lives and international law. Your lies continue, because no—this institution is no longer ours. You have handed it over to the fascism eating away at the world; you have made it a banner of dehumanization and the normalization of the darkest hours of our present. You never wished to hear us when we warned you. You turn a deaf ear to the sound of bombs exploding over Gaza, killing thousands of men, women, and children, but you open your stage to those who drop them there—and in Qatar, Iran, Yemen, Lebanon, and Syria as well.

      What are we to expect for the concerts of November 30 and January 16? A Philharmonie turned into a bunker, new stronghold of law enforcement and repression in Paris’s 19th arrondissement? A summit of institutions and associations denying the ongoing genocide and—through the very worst form of antisemitism, which consists of conflating all Jews worldwide with the State of Israel—instrumentalizing Jewish history and culture for warlike purposes?
      If you cannot hear the suffering of Palestinians, have you at least understood that of your employees and of the music-lovers you are dragging into your outrageous complicity?

      In the name of the music we defend, in the name of the humanity we embody, and since this is supposedly still our institution according to you, we call on you to cease all collaboration with Israeli cultural and academic institutions that wash the hands of the perpetrators of genocide.
      After having cordially invited you to consider cancelling the appearances of Lahav Shani and the Jerusalem Quartet, we now demand it. And despite the policing habits you embraced on November 6, our demands—and above all the Palestinian voices we relay—will not tolerate any repression from you.
      Finally, should all this go unheard, we will be forced to acknowledge that you have failed to meet the political and moral responsibilities of your position, and it will seem justified to demand your resignation in the name of the dignity of the victims of a genocide you have chosen to normalize.
      History will judge the perpetrators of genocide and their accomplices. As of today, you sit on the defendants’ bench.

      Tahia Falestine!

      Artistes pour la Palestine - France
      Palestine Action
      Union Juive Française pour la Paix
      Tsedek
      Culture en lutte

       

      30/10/2025

      Tucumán, Argentina: The Zionist octopus extends its tentacles in all directions, from the Jewish community to State institutions

       Rubén Kotler, 30/10/2025

      Rubén Kotler (b. 1974) is an Argentine historian, Jewish anti-Zionist, and specialist in the recent history of Tucumán. He is cofounder of the Argentine Oral History Association and coadministrator of the Latin American Oral History Network. He also co-wrote and conducted the historical research for the documentary El Tucumanazo, which explores the workers’ and students’ uprisings in Tucumán. https://www.deigualaigual.net/

      Israeli historian Ilan Pappé defines a lobby as “the influence exerted to change a government’s policy or to alter public opinion.” In his recent book, Lobbying for Zionism on Both Sides of the Atlantic , he analyzes the history of the Zionist lobby between the United States and the United Kingdom. Zionist penetration in Latin America dates back to the first half of the twentieth century and has been essential to the survival of the State of Israel and its policies of genocide, ethnic cleansing, apartheid, colonialism, expansionism, racism, and Islamophobia—the backbone upon which the self-proclaimed Jewish state is built, to the detriment of the Palestinian people.
      This colonial framework is sustained by Jewish-Zionist communities worldwide. Such dynamics can be observed, under closer inspection, in local communities such as that of Tucumán, Argentina.



      Argentina’s smallest province hosts a small but influential Jewish-Zionist community, where both Ashkenazi and Sephardic heritages coexist. Its institutions range from several synagogues and schools to a club called Unidad Sionista (“Zionist Unity”) and a cemetery. The main community school—where I myself studied during my school years—maintains a dual curriculum, and its Jewish-Zionist education is a key element in maintaining and reinforcing communal support for Israel.

      The Jewish educational programs, far removed from religious orthodoxy, are designed to foster a deeply Zionist identity.Argentine national holidays are celebrated with equal emphasis to Jewish holidays, imbuing them with a nationalist narrative that rivals that taught in schools in the colonial enclave of Israel itself. Zionist influence in the religious Jewish world has been so profound that even Reform congregations  have included a prayer asking God to protect the Israeli army in their religious services.

       

      Images from a “Patriotic Israeli” School Ceremony in Tucumán
      (Author’s Archive)

      At the same time, a scholarship system funds initiation trips to the self-proclaimed Jewish state—as if to a kind of Disney World. Combined with a tightly woven network of local institutions, this reinforces a sense of Israel as a “second homeland,” and for some, as an imagined nation that serves as refuge from a potential apocalyptic repetition of a “second Holocaust.”

      The bombings of the Israeli Embassy in Buenos Aires (1992) and the AMIA (1994) strengthened the narrative of a possible “Holocaust” in Argentina. Since 1994, Jewish-Zionist institutions have maintained external walls around their buildings “to prevent car bomb explosions.” For thirty years, Argentina’s Jewish-Zionist community has awaited a “third attack” as though waiting for the Messiah.

      The oath sworn by soldiers of the world’s most criminal army at Masada, in occupied Palestine—pledging that Zion will never fall again—is replicated with equal fervor in Jewish-Zionist schools.

      In Argentina, there exists a notorious pro-Zionist lobbying institution known as the Delegación de Asociaciones Israelitas Argentinas (DAIA)—the Delegation of Argentine Jewish Associations—whose initial purpose was to protect Jewish interests in Argentina. Nothing could be further from reality: DAIA defends Zionist interests in the country. It is also one of the key promoters of the idea that anti-Zionism is equivalent to anti-Semitism, as we will see later.


      Kirchnerist José Jorge Alperovich (b. 1955) served as governor of Tucumán three times between 2003 and 2015. In November 2019, he was criminally charged with sexual abuse, and in 2024 he was sentenced to sixteen years in prison and permanently disqualified from holding public office.

      To understand Zionist penetration in Tucumán over recent years—functioning as a kind of fifth column that justifies and accompanies genocide—we must consider the political landscape. Provincial governments since 2003 have maintained firm economic, cultural, political, and social ties with Israel.

      Alperovich, the son of a Jewish-Zionist family from Tucumán belonging to the commercial elite, became a paradigmatic case in a country whose official religion is Roman Catholicism. His election was as novel as his alliances with Zionism at a global level. These ties predated his governorship but were reinforced by the inclusion of local Jewish community members in the provincial cabinet. Prominent community figures embraced Peronism as a political vehicle through which they anchored their influence and linked the provincial state to the State of Israel via a series of economic agreements.


      Juan Luis Manzur (b. 1969), later governor and today the wealthiest official in the national administration, continued this line of submission to Zionism. With close, even affectionate ties to sectors such as Chabad Lubavitch, Manzur quickly made business deals with Israel in one of the colonial enclave’s most specialized areas: security.

      By the end of 2018, the provincial government purchased 4,000 semi-automatic Jericho 9mm pistols with polymer frames, developed by Israel Military Industries (IMI)—a company privatized that same year and absorbed by Elbit Systems. The nine-million-dollar deal brought to Tucumán weapons identical to those used against Palestinians in the West Bank. One of these guns, in the hands of the provincial police, killed Luis Espinoza during the pandemic lockdown, when police raided a social gathering on May 15, 2020. Espinoza was kidnapped and disappeared for seven days before his body was found in another province.

      But the agreements didn’t stop there. Two years before Espinoza’s death, on August 13, 2018, the Jerusalem Symphony Orchestra performed in one of Tucumán’s main theaters under the sponsorship of the provincial government. I titled my commentary at the time “A Concert of Gunfire” to highlight how cultural events were being used to normalize the embrace of the Zionist state and the oppression of the Palestinian people.
      The normalization of colonial structures through culture and sports is a distinctive feature of this global pattern of Zionist influence.

      Peronism as an ally of Zionism

      Today, Argentina’s far-right president Javier Milei is openly allied with Zionism, supporting the ongoing genocide in Palestine. Yet part of the Peronist movement hypocritically remains silent or looks away when it comes to the state’s agreements with Zionist institutions. Visits to Israel by Argentine officials have continued from one administration to another.
      From Tucumán, local governments and university authorities have repeatedly signed agreements with Israel, regardless of political turnover.

      Let us recall that the first international trip of Peronist president Alberto Fernández, just before the pandemic, was to Israel—to shake hands with war criminal Benjamin Netanyahu. His minister Eduardo “Wado” de Pedro, himself the son of victims of Argentina’s last civil-military dictatorship, brought the Israeli company Mekorot to Argentina to manage a strategic resource: water. De Pedro could not have been unaware of international accusations against Mekorot for its role in Israel’s apartheid system and its control of water resources in occupied Palestine.
      Today, these agreements are being expanded as Milei’s ultra-liberal government seeks to privatize Agua y Saneamiento Argentino (AYSA), the national water and sanitation company. Will Mekorot take over AYSA? It is highly probable.

      Health and the Hadassah Network

      On October 13, 2021, during the COVID-19 pandemic, the Ministry of Health of Tucumán signed a cooperation agreement with Israel’s Hadassah Medical Network. The agreement was signed by then-Minister of Health Rossana Chahla, now the mayor of the provincial capital.

      According to the ministry’s website, “this agreement aims to share medical knowledge developed at Israel’s Hadassah Medical Center, to provide access to training sessions, symposiums, and lectures by professionals, as well as to integrate hospitals and health centers in Tucumán into the Hadassah Health Network.”
      The objective is explicit: sharing provincial health data with an Israeli institution—an unprecedented step in such a sensitive public sector. The ministry’s note also confirmed that this relationship between the provincial government and Hadassah has existed for over fifteen years, dating back to Alperovich’s administration.

      The local academy strengthens the Zionist narrative

      The Zionist narrative requires its scribes. The Hasbara—Israel’s state-sponsored propaganda apparatus—deploys a wide range of tools, from funding mass media outlets to flooding social networks with influencers who mold public perception. As war criminal Benjamin Netanyahu recently declared, “Israel should buy TikTok.”

      Within this strategy, academia plays a crucial role. Agreements between Argentine public universities and Zionist or pro-Zionist institutions are particularly notable.


      Returning to Tucumán: on July 23, 2025, the Faculty of Law at the National University of Tucumán hosted a Hasbara-style event clearly intended to reinforce Zionist narratives—the presentation of the book Antisemitismo: Definir para combatir (“Antisemitism: Define to Combat”) by Ariel Gelblung, director of the controversial Simon Wiesenthal Center, a defender of the Zionist narrative.

      The event was supported by the local DAIA and attended by university authorities, provincial government officials, and members of the judiciary—including Supreme Court justices Claudia Sbdar and Daniel Posse, journalist Álvaro José Aurane of La Gaceta, and officials Raúl Albarracín and Hugo Navas.

      Notably, Gelblung’s presentation was part of a postgraduate diploma program on Genocide and Crimes Against Humanity offered by the Faculty of Law—one that makes no mention whatsoever of the ongoing genocide against the Palestinian people.

      On July 25, a follow-up talk was given to local students, again promoting the conflation of anti-Zionism with anti-Semitism. In an interview with the local newspaper, Gelblung declared:

      “We are living through the worst moment of anti-Semitism since the end of World War II. The conflict in the Middle East has placed Jewish communities around the world in real danger. Allowing certain masks to fall and aligning with terrorism is truly dangerous.”

      For this propagandist, “Zionism is not a bad word; it is the movement for the national self-determination of the Jewish people in their ancestral land. Someone cannot claim to support self-determination for all peoples except one. That is discrimination. One cannot say, ‘I’m not anti-Semitic, I’m just anti-Zionist.’ That’s a fallacy.”

      For Gelblung—and indeed for the entire Jewish-Zionist establishment—no genocide is being committed in Gaza, despite reports to the contrary from Israeli human-rights organizations such as B’Tselem. Neither Gelblung nor Tucumán’s academic or judicial authorities seem to have read the report titled “Our Genocide”. By echoing the IHRA definition of anti-Semitism, they equate it with anti-Zionism—nothing could be more false.

      Since October 7, 2023, these circles have loudly insisted that the world is witnessing a surge in anti-Semitism—a claim unsupported by evidence. In Argentina, even members of parliament have been prosecuted for mentioning genocide in Palestine, accused of anti-Semitism, as happened to Vanina Biassi, deputy of the Frente de Izquierda y de los Trabajadores (Left and Workers’ Front).


      Rossana Chahla (1966), intendenta (alcaldesa) de Tucumán, justicialista (peronista/kirchnerista)

      Rossana Chahla (b. 1966), physician of Syrian-Lebanese origin and now mayor of San Miguel de Tucumán, has written yet another chapter in the province’s alliance with Zionism. She signed a security-training cooperation agreement with the Israeli agency Mashav for the municipal staff.

      Despite protests from the group Tucumán por Palestina, the municipality proceeded with the agreement. At the height of an ongoing genocide, the mayor deepens ties with Zionist institutions.

      According to the municipal website,

      “The course, conducted in Spanish at the Beit Berl Institute campus near Tel Aviv, covers key topics such as coordination between municipalities and police forces, the creation of community police units, emergency management, youth work with at-risk populations, and cooperation with educational institutions, community organizations, and the private sector.”

      Such agreements, mirrored throughout Latin America, exemplify what journalist Antony Loewenstein has called ‘The Palestine Laboratory’—Israel’s use of its repressive systems against the Palestinian people as showcases for its “technological advances” in security and warfare. Israel remains one of the world’s major arms exporters [8th largest exporter and 15th largest importer in the world] , selling to regimes of all kinds, including dictatorships.



      A Phantom Haunting Tucumán: The Phantom of Genocide

      The collective Tucumán por Palestinamade up of Palestinians, anti-Zionist Jews, artists, political and trade-union activists, and academics, has for years denounced Zionism and exposed Israel’s crimes against the Palestinian people. Yet not a single line about their work has appeared in Tucumán’s main newspaper. On the contrary, whenever the Jewish-Zionist community holds public events, the same paper devotes lavish coverage to them.

      In general, local media—barring rare exceptions—ignore the persistent activism that fills the capital’s streets. It is evident that Zionist influence in Tucumán extends across all three branches of government, the hegemonic press, and parts of academia.

      As a son of that same Jewish community, I once again raise my voice in opposition to Zionism and genocide. Like the comrades of Tucumán por Palestina, I speak out wherever possible.

      The penetration of that ghost called genocide in the province has names and faces—many of them descendants of Syrian-Lebanese families, such as the current mayor of the provincial capital. Breaking the dominant narrative, making as much noise as possible, and convincing Jewish communities around the world that Israel does not represent Judaism—in any of its religious or cultural forms—may help weaken the colonial enclave.

      Withdrawing communal support, as several anti-Zionist and pro-Palestinian Jewish organizations are already doing, could contribute to the fall of a regime that for over a century has waged war, committed crimes against humanity, and perpetuated genocide and ethnic cleansing in historic Palestine and other strategic parts of the Middle East.